A Split in Time by Vin Carver

Bad things happen all the time, and many of us wonder “what if?” What if I hadn’t failed that test? What if mom and dad hadn’t gotten a divorce? What if I’d asked that girl to the prom?

For Warren, it’s what if my brother hadn’t died of cancer?

Warren’s home life is a mess. His dad, already a heavy drinker, becomes an alcoholic when his son dies. His mom does her best to keep the family together, but it is taking a toll. And Warren, well, on top of all of the typical teenage angst (why does that girl he has a crush on like his best friend instead), is dealing with this mess of a home life.

Somehow, though, he finds his way to another world in which his brother didn’t die, and his life is idyllic. Which would you choose?

A Split in Time, by Vin Carver, follows Warren’s adventures as he discovers this alternative universe in which his life is everything he wishes it had been. Along the way, he meets various interesting characters, some diabolical. It turns out that Warren’s adventures play out in the backdrop of a much greater context, one only hinted at. It is clear that Carver has built a bigger world with epic stories in store, but only touches the surface in this story.

The strength of this book is the characters. They are well developed with strong motivations. Most (but not all) of the story is told from Warren’s perspective and Carver does a great job of conveying the point of view of a teenager. Most of his other characters similarly come to life on the page. As a word of caution, some of the characters can be pretty brutal. I wouldn’t say it is gratuitous, but there is a dose of violence that adds to the darkness of this world.

If there is a weakness, it is only that some of the more supernatural components are not fleshed out enough to understand how this world works. I assume that will be the subject of follow-on novels. Some of the grander elements feel a bit jarring when they are introduced, like they were forced just a bit. What is clear is that Warren finds himself as part of something bigger. What that something is isn’t entirely clear, yet.

As a first chapter in a much longer series, A Split in Time does an excellent job of introducing an intriguing world with captivating characters. It sets the stage for something bigger. I look forward to finding out what that is.

Trespassing on Einstein’s Lawn by Amanda Gefter

This book is thought-provoking.

When she was fifteen, Amanda Gefter’s father, while out to dinner at their favorite Chinese restaurant, asked her “How would you define nothing?” Her father had been thinking about the nature of reality and he had come to the conclusion that it was nothing. Or better said, Nothing. This question led Amanda on a journey, both of personal development and to understand the true nature of reality. She delved deep into what physics said about reality. Along the way, in her mind masquerading as a journalist, she interviewed and discussed physics with leading physicists. She delved deep into what the cutting edge of science said about the nature of reality. And, along the way, she discovered her own voice, writing a book detailing her journey.

Gefter’s knowledge and insight about the nature of reality, and the excitement she conveys as she learns it, is simply inspiring. As she tries to uncover what physics says objective reality truly is, she slowly finds, step by step, that nothing is objective. Beginning with relativity that said that time and gravity are relative, and through quantum mechanics, that tells us that even measurements are relative, she examines what we know, what the gaps in our knowledge are, and what that uncompromisingly leads us to conclude about reality. There is no objective reality. Every observer essentially has their own reality, their own definition of the universe.

She jumps into how that means a universe could arise out of literally nothing. As no observer can know everything about the universe, as our views are limited and finite, it puts bounds on the information we can each collect. That bound essentially leads to the formation of the universe, a shadow that arises out of nothingness. I don’t completely understand it, and not sure I buy it all, but the steps by which she gets there are all based on what our science tells us.

In any case, her examination of the science itself is fascinating. I was unaware of what the most recent developments in cosmology, string theory, and quantum mechanics were concluding. Her excitement in discovery each new twist and turn is infectious. And, along the way, she gives great perspectives of the leading thinkers in this area.

This book is humbling.

Gefter has no formal science training. Her father, though a medical doctor, is not a physicist. But, these two delve so deep into questions regarding the nature of reality, it is simply humbling for someone like me who has studied physics. Granted, I went in a different direction, focusing on the properties of atoms and materials, but still, that these two have the curiosity, the drive, and the deep intuition to really delve into these questions is inspiring. I’m inspired to try to delve deeper into my own fields, beyond the every day drivers of doing practical science. We’ll see if I’m able to follow through.

The ideas that Gefter explores, that she describes, are hard concepts  and I admit that I struggle with many of them. Most of them arise from simply considerations, typically from seeming paradoxes where some assumption leads to contradictions about how reality must be. In each case, those assumptions must be abandoned and soon we are left with very few. The chain of reasoning and evidence that leads to the final picture is well described, but they ideas are challenging. To fully grasp them, I know I will need to read further.

This book is touching.

Gefter is set on her quest by her father’s question and his own ruminations on the nature of reality. She is both accompanied and followed by her father on this quest as she makes it her own. But, the way Gefter and her father conspire as this journey unfolds, the way they discuss their most recent insights, the way they work together to delve into these deepest of questions, is, in some sense, maybe what all parents dream of. Gefter’s father inspires his daughter to undertake the quest of a lifetime. And she takes it beyond what he could have ever done on his own. The deep intellectual relationship between the two, the shared vision, is something that I could only dream of passing along to my own daughter.

This book is awesome.

The way Gefter explores the nature of reality, the way she starts on her quest knowing literally nothing about the physics of cosmology, quantum mechanics, and relativity, and reaches into the deepest understanding we have, is a great way to convey what we know about reality. She systematically crosses off elements of what might comprise reality and delves deeper and deeper into the seeming paradoxes that arise as our science progresses. I certainly learned a great deal, and the ideas presented are thought provoking in a way that is rare in such books. As opposed to other books on cosmology and string theory, this one doesn’t necessarily take a side or advocate for a certain perspective. Instead, Gefter is really trying to understand what we know and what science tells us about reality. And, in doing so, she produces one of the most entertaining and educational forays into modern physics I’ve had the pleasure of reading.

The ideas that arise from modern physics are mind bending. They push the limits of our ability to understand the world around us. They are beyond our wildest imagination. Science is often criticized for its lack of creativity, but modern physics has created a view of the world and reality that could never have simply been imagined, never dreamed up.

The Watchmaker of Filigree Street by Natasha Pulley

The Watchmaker of Filigree Street, by Natasha Pulley, takes place in London, but a London of the late 1800s, a time when the Irish were rebelling against British rule. Nathaniel “Thaniel” Steepleton works at one of the government offices as a telegraph operator. His life changes, however, when a watch he mysteriously finds in his room at a boarding house saves his life from a bomb by an alarm going off at just the right time. This begins a long and twisting journey in which he befriends the maker of the watch, Keita Miro, a Japanese nobelman, inventor and one-time assistant to an ambassador. He also crosses paths with one Grace Carrow, an ambitious young woman wishing to embark on a career in science — she wishes to prove the existence of the aether — but is thwarted because, during that time, women could not pursue such careers.

The story revolves around the relationships between Thaniel, Keita, and Grace and is devoted to developing these characters. Keita, in particular, harbors a powerful secret that drives much of the plot. Along the way, Pulley evokes a London of over 100 years ago, having done her research on the people and places of 19th century Britain. Her use of language is very adept, using phrases such as “the part of himself he had amputated still twinged somtimes,” to describe how Thaniel feels about having to have given up piano to get a real job, and “the spare room was crooked, as though it had planned to be L-shaped but changed its mind at the last minute,” to describe Thaniel’s room. This kind of word play makes reading this novel a joy.

The central theme of the story revolves around fate. Why do things happen? What is the role of luck or happenstance on those events. Why and how do we end up where we go in life? Pulley has invented a clever fictional device to drive her exploration of these ideas, while also driving an exciting plot, one that becomes a thriller near the end.

Not only does Pulley explore questions of fate, but she also examines the role of science in society. Grace is a typical scientist, awkward, socially inept, and driven to understand. At one point, one of the characters tells her “Your science can save a man’s life, but imagination makes it worth living.” I might quibble with the implication that science excludes imagination (as implied by Richard Feynman, science requires great imagination, more so than many other fields as it is constrained by and must be consistent with reality). However, the point is that there are multiple facets of a full life and all are part of a life worth living.

 

Blindsight by Peter Watts

There are two types of science fiction. There is what one might call “soft” science fiction, in which the setting is some futuristic or advanced technological place, but there is no real effort to try to ground the science in, well, science. As has been said, advanced techology might be indistinguishable from magic, and soft science fiction doesn’t even try to distinguish. To me, Star Wars is the epitome of this. It is essentially a fantasy story taking place amongst the stars.

In contrast, hard science fiction tries to base its world building on sound scientific concepts. Of course, liberties always have to be taken, since, if you are writing about a far-off future or an alien civilization, we don’t know all of the relevant science and one has to invent something. But, hard science fiction tries to do its best to extrapolate from what we know rather than simply invent new stuff that is indistiguishable from magic.

Blindsight, by Peter Watts, is an excellent example of great hard science fiction. Without spoiling the plot, the story evolves around a crew of humans sent from the Earth to investigate what seems to be a signal from an alien ship. None of the humans are normal. They have all been modified in some way, or have special abilities that somehow came about naturally.

The plot is essentially a vehicle for a discussion on what makes a being intelligent. The human characters have had their mental states modified in some way — one can directly interface with machines, another has deliberately created multiple personalities residing in one head to create diversity directly in the mind, and another is a vampire, an ancient race that humans have somehow revived and who have a prey-predator relationship with humans and thus a different level of intelligence. Central to this discussion is whether a being needs to be self-aware to be intelligent. Are these concepts inherently connected, or can intelligence exist in a being that isn’t aware that it itself exists? I guess, vice versa, one can ask if self-awareness automatically implies some level of intelligence.

At the same time, what distinguishes different levels of intelligence? What relationships doing beings of different relationships have? In this story, vampires are higher on the food chain than humans, so are humans to them essentially what cows are to us? Are we a lower life form and thus suitable for a food source? If aliens are out there, if they are more advanced than us, how might they treat us? If there are superior beings, “why should man expect his prayer for mercy to be heard by what is above him when he shows no mercy to what is under him?”

Good fiction makes us think about big questions, whether it is about the nature of relationships or our place in the universe. Blindsight asks hard questions about what is intelligence and what does it mean for creatures of different levels of intelligence to interact. How should those roles be defined? And, ultimately, what makes us human? Sometimes these questions get buried underneath “technobabble” in which pseudoscientific jargon is used to create an air of the future (though Watts has done his research and bases his world on as much hard science as he can find). But, those questions are there and they certainly engage one’s brain. And, on top of that, the plot is engrossing to boot.

Midnight Riot by Ben Aaronovitch

Peter Grant, the son of a British musician and an African immigrant, is a novice constable in London, about to get his first assignment. Not having shown any particular aptitude, he is resigned to a menial desk job. That is, until, while on the scene of a murder, he ends up talking with a ghost. This opens a whole new reality for him, and his colleagues, in which ghosts and river gods inhabit the shadows of London, pushing and pulling at the fabric of regular London society. Peter is found by a true magician, Thomas Nightingale, who is the lead, and only member, of a special police division charged with investigating supernatural occurances. Together, they investigate a series of murders that seem to be connected to some pissed off ghost. At the same time, they have to prevent factions of different river gods and goddesses from warring with one another. Along the way, Peter begins his journey to become a magician in his own right.

Set in modern London, Midnight Riot by Ben Aaronovitch has a style that brings London to life, with both casual but familiar descriptions of various parts of the city. Aaronovitch also does an adept job of balancing a world in which magic and science coincide. One of the interesting threads is how Peter applies his more scientific view of the world to his discovery and understanding of the magical side of reality. Though, there are a few things that are a stretch. At one point, Peter looks at a pulverized circuit board under a microscope and determines it contained silicon and a few impurities. In reality, it would take the most powerful electron microscopes and significant analysis to determine something like this. No regular optical microscope could do it.

I hesitated to read this book only because it is the first in a relatively long series, something like 6 or 8 books. However, this was both an entertaining and relatively easy read with reasonably intelligent and surprising plot twists to keep the plot moving along. The world that Aaronovitch has created is full of energy and intelligence, enough so that I am tempted to keep on following the adventures of Constable Peter Grant.

 

Blah, blah, blah… I've got the blahs.