Books

The Mere Wife by Maria Dahvana Headley

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Beowulf is one of the oldest stories in the English language, describing the adventures of Beowulf, a Norse hero. He fights a monster called Grendel and then is attacked by Grendel’s mother, furious due to the death of her son. Beowulf also kills her. This poem, dating to some time around the year 1000, is a cornerstone of English literature.

The Mere Wife, by Maria Dahvana Headley, is a twist on the classic tale. Taking place in modern times, it revolves around two women — Dana Mills and Willa Herot. These are very different women. Dana is a veteran of the wars in the Middle East, while Willa is the product of high society, having found her way as the wife of a powerful developer in the heart of a new community. Dana grew up in the same area but before it became gentrified. It’s why, when she finds herself inexplicably pregnant and then the mother of Gren, a boy that has some generally undescribed characteristics that set him apart (though it is mentioned that he is furry and has long claws), Dana escapes to the heart of the mountain that abuts Willa’s idyllic community.

Dana and her son Gren live in isolation, in the heart of the mountain, until Gren, now older, notices the kids down in the community. In particular, he becomes friends with Willa’s son Dylan (who goes by Dil). This unleashes a chain of events that neither woman can stop, try as she might. Both are fighting forces beyond their control. The story is about the consequences of their actions as they try to maintain some amount of control in their lives.

While the original poem focuses on Beowulf, the Beowulf-like character here is a relatively minor player. Dana and Willa are the true hearts of this story and events are described alternatingly from their points of view. Both are products of their world, not necessarily always willingly. They try to exert some control on their respective worlds, worlds they did not create but that they are now at the center of. Both women are also struggling in worlds created by men, though their worlds are very different. Dana comes from a world of war, while Willa is at the center of a world of power.

Through her narration, Dahvana Headley provides what I felt was some intriguing insight into the world at large, the place of women in our modern society, and motherhood, a big focus of the novel since both Dana and Willa’s roles as mothers frames a lot of their actions. The book centers around conflict, the conflict between the characters but also larger conflicts, including war and progress. Dahvana Headley comments on these through her characters. Some examples include:

  • “People never think, until it happens to their place, that all construction is destruction.”
  • “It’s international news, then national, then local. Tragedies happen every minute of every hour. The world is full of worse than anyone has yet imagined, and there’s only so much room.”
  • “You don’t really own anything. Nothing is yours forever, not your body, not your youth, not even your mind.”
  • “Here’s the truth of the world, here it is. You’re never everything anyone else wants. In the end, it’s going to be you, all alone, on a mountain, or you, all alone, in a hospital room.”

These kinds of comments about our world and society are peppered throughout the novel, providing both insight into the inner workings and feelings of the characters but also thought-provoking, if bleak, commentary on our world. If a novel gets you to think about something differently, that is a success. And The Mere Wife certainly does.

I would say that the structure of the novel, with the alternating points of view of Dana and Willa, and the way the story is essentially told as they think, can be a little disconcerting. It took me a little while to get into the flow. Once I got into it, though, it kept my attention and made me want to know what happened next. I knew, based on my knowledge of the original Beowulf, what I thought was going to happen, but how it all actually fell into place was still unexpected and engaging.

Books

Meddling Kids by Edgar Cantero

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One of the primary conceits of Scooby-Doo is that there is a mundane explanation for all of the weird stuff that happens in their world. Carl Sagan praised this aspect of the show, lamenting how other shows glorified supernatural explanations. He liked how, in Scooby-Doo, “paranormal claims are systematically investigated and every case is found to be explicable in prosaic terms” (from his book The Demon Haunted World). But, what if, at least once, the paranormal turned out to be real?

That is the premise of Meddling Kids, by Edgar Cantero. A gang of kids spent their summer vacations in the coastal area of Oregon and stumbled on to some weird goings-on. They ultimately find that it was a man in a costume who was trying to scare people to get access to some ancient fortune. The kids — dubbed the Blyton Summer Detective Club — are heroes. But, it turns out, they also uncovered an ancient and real evil.

Now adults, they are haunted by the glimpses of that evil they saw as kids. They decide to confront it. The gang — Kerri, Andy, Nate and Tim, versions of Daphne, Velma, Shaggy and Scooby (I won’t say why Fred isn’t here) — head back to Oregon to figure it out.

I won’t give too much away, but I will say that while Cantero violates the idea of Scooby-Doo that Sagan liked so much — that there is a “prosaic” explanation for all strange phenomenon — he still does manage to give a scientific basis for a lot of what goes on. For example, the kids are wandering in a mine and Nate, the Shaggy fill-in, asks how the miners knew where to dig to find gold. Kerri (who is a bookish Daphne) explains that the miners followed a quartz reef as gold was often found inside quartz veins. Later, in reference to how an earthquake can cause a pressurized lake to essentially explode, Kerri describes a limnic eruption. This happens when a body of water full of pressurized carbon dioxide becomes agitated, perhaps via an earthquake or tremor, violently releasing the CO2 as a deadly cloud of gas. So, Cantero, in creating the mystery the kids must solve, has still used science to an extensive and creative degree. While the core of the mystery still has elements of the supernatural, the rest of it is based on science in a way that I think does service to the ideas of Scooby-Doo.

So, I learned something new reading this book. I also found it very entertaining. The characters aren’t simple mash-ups of the Scooby characters, they have their own traits and flaws that make them unique. The plot is engaging and the quick pace almost feels like a movie. And, ultimately, there are enough twists and turns to keep it fresh. I enjoyed Meddling Kids and will be looking for more from Cantero.

Books, Science

Dark Matter by Blake Crouch

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Quantum mechanics is weird. Probably the weirdest part is that it only makes predictions about the probability of what can happen. Newton’s laws say that, with a give force, an object will move this way. Quantum mechanics says that it is probable that it will move a given way, but there is a probability it will move another way. So, with quantum mechanics, we are always dealing with probability. When we measure something, one of the many choices is actually realized. But, this is at the heart of the weirdness: which one?

There are several interpretations of quantum mechanics that try to address this, but they are all, essentially, non-testable hypotheses. One is that all possibilities happen and we are living in one of those potential worlds. That is, whenever a quantum measurement is made, reality splits into different worlds, where each possibility has happened. This is the many-worlds interpretation of quantum mechanics. This splitting occurs whenever there is a measurement of a quantum system. Going even further, the many-minds interpretation says that any time a mind makes a decision, reality splits. It is this interpretation that is at the heart of Blake Crouch’s Dark Matter.

Really, the many-minds view of quantum mechanics is just the backdrop, a vehicle to let Crouch explore ideas about the road not taken. We all have wondered “what if,” what if I had asked that girl out, what if I had gotten that other job, what if that special someone was still alive? We only get one chance at life and we make the best of it. But, what if there was a chance to redo it, to take that untaken road? Crouch’s main character, Jason, had promise as a brilliant physicist. His wife, Dani, was an up and coming star artist. However, they both put those plans aside when Dani becomes pregnant, to raise their son. While both are happy, both also have regrets. What if they had made different choices?

I won’t give away the plot, as there is a lot of daring-do and action to go along with the exploration of these themes. I’ll just say that, in the end, Jason learns a few important lessons:

  • And maybe I can let go of the sting and resentment of the path not taken, because the path not taken isn’t just the inverse of who I am. It’s an infinitely branching system that represents all the permutations of my life…
  • I thought I appreciated every moment, but sitting here in the cold, I know I took it all for granted. And how could I not? Until everything topples, we have no idea what we actually have, how precariously and perfectly it all hangs together.

Dark Matter uses some out-there physics to explore some fundamental questions of existence, doing so while telling an action packed story that has some really interesting plot twists. Crouch’s approach to writing took inspiration from Michael Crichton: “I realized that he wasn’t just coming up with cool plots. He was writing books that allowed him to explore topics that interested him. Writing a thriller as self-education.” And, by educating himself, Crouch provides a yarn that is both thought-provoking and full of action.

Books

Clockwork Boys by T Kingfisher

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The Wonder Engine is the first in a series of books, the Clocktaur War, by T. Kingfisher. It follows a band of misfits as they try to find the secret of the Clocktaurs, a group of extremely powerful and possibly mechanical soldiers used by an enemy nation to threaten the home of the heroes. Those heroes — Slate, a forger and thief who also has some impressive fighting skills; Caliban, a paladin possessed by a dead demon; Brenner, an assassin; and Learned Edmund, a monk who has been cloistered away who believes being near women will literally destroy him: “‘Learned Edmund is apparently afraid that if he sleeps on your floor, your feminine exhalations will cause his genitals to wither and his bowels to turn to water.’” — have to travel to the heart of the enemy and figure out what the Clocktaurs are and how to stop them.

Kingfisher has created a very interesting world where some of the very common tropes in fantasy are tweaked just enough to create something new. Magic exists, but it is much more subtle than in many worlds. Some people are born with certain magical abilities, but they can’t do anything more. Slate, for example, has an allergic reaction whenever she is supposed to notice something. Others have the ability of creating tattoos that will literally eat people if they disobey orders: “What kind of turns did a life have to take before you discovered that your personal gift from the universe was making carnivorous tattoos?” Demons exist, and paladins exist to fight demons, though the demons cause most of their damage by possessing people. But, maybe more importantly, the characters are well fleshed out, with very distinct personalities and foibles. None of the characters are perfect, most aren’t noble, and even the paladin, who is by definition a very noble character, has his major flaws. Half of the book is about these characters getting to know one another as they march toward their destination, discovering themselves and other oddities of their world in the process.

The characters and the plot are both highly entertaining. The world has its own uniqueness that sets it apart from the types of books I read when I was younger, where the poor orphan boy goes on to become the world’s greatest magician and saves the multiverse. To be honest, this reminds me more of Joel Rosenberg’s The Guardians of the Flame series, which was one of my favorites as a kid where the characters aren’t saving the universe, but just trying to survive. The characters are the story, and the plot is just a way of introducing us to them. Clockwork Boys feels similar in spirit.

Books, Science

Thirteen by Henry SF Cooper Jr

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When I saw the movie Apollo 13, the one that stars Tom Hanks, I felt that the story it depicted was the embodiment of engineering to me. How a group of clever people could solve an unsolvable problem, fixing a tiny spacecraft that had malfunctioned on its way to the moon with nothing more than the parts they had on hand as they hurtled through space and the combined ingenuity of probably literally hundreds of people — 3 in that capsule and the rest on the ground. The way they systematically tackled the problem but also brought in their own out-of-the-box thinking was, for me, what engineering was all about.

(In reality, often engineering, at least at the professional scale, is not so dramatic. I almost became an engineer — this was long before the movie — but an internship at a major computer company killed that desire.)

The book Thirteen, but Henry SF Cooper Jr, recounts the Apollo 13 mission in minute detail. Cooper has scoured the logs and transcripts of the mission, interviewed many sources, and has essentially produced what feels like a step-by-step account of the mission and how they fixed the spacecraft to get it back to earth. There is no embellishments here, no extra drama. Cooper recounts what people said and, when possible, what they thought, based on their own words. He doesn’t add extra drama from what is in the record. At times, his recounting of the failure, the way everyone works to first understand and then fix what happened, and the actual return to earth, can seem a little dry. But, its factual narrative makes the actual events that much more impressive because, simply, that’s what happened.

Cooper notes multiple times that one reason that the spacecraft failed is that, simply, NASA couldn’t imagine certain things happening. As has been said about the space shuttle disasters, maybe there was some hubris, some overconfidence, in the teams. After all, they had landed multiple men on the moon by that point. They could do anything. And nothing was wrong with their designs. If anywhere, this is where Cooper lets his own biases creep in, as he clearly feels that NASA had gotten too complacent, too proud to even think of such eventualities: “they felt secure in the knowledge that the spacecraft was as safe a machine for flying to the moon as it was possible to devise. Obviously, men would not be sent into space in anything less.” At one point, he highlights how the astronauts complained about being put through simulations of such unrealistic scenarios. After the events of Apollo 13, they complained no more, at least not for a while.

The detail Cooper provides on all aspects of the mission instills a sense of wonder at how complex these missions were. To stay warm, they had to roll the spacecraft regularly to change which part faced the sun so that the electronics wouldn’t get so cold. They had to enter the atmosphere at just the right angle: too shallow, and they would bounce off; too steep and they would burn up as they approached earth. With the failing of the spacecraft, they had to figure this all out in real time again, with lots of uncertainties as to the true behavior of the ship.

Getting the astronauts home was one engineering challenge after another. Once the spacecraft failed, the very first problem they had to solve was how to keep the astronauts breathing, as their oxygen production had stopped. They also needed water but, something I learned, in space, astronauts don’t feel thirst, even when they are dehydrated, so they didn’t realize how low they were on water. The communications equipment of the lunar module, not meant to be active until they were on the moon, interfered with other devices on the spacecraft, impeding, at least initially, communications with earth. The fuel for the spacecraft was radioactive material. Normally, it would have been left on the moon. Now, they had to worry about where it would fall on the earth.

Thirteen doesn’t have the same sense of drama as a movie, but in some ways, it is all the better at conveying the impressive feats of these people as they got the spaceship home. This book won’t be for everyone, but for those with any inclination towards engineering, it provides a great sense of the drama that the profession can entail, in the right circumstances.

Blah, blah, blah… I've got the blahs.